Wednesday, March 9, 2011

Droppin' References: Movies in Popular Music

Driving home the other day, I was scanning through the pop music channels on XM and listening to whatever happened to catch my ear. During the process, I noticed not one, but two references to one of 2010's Oscar-nominated films, Inception. The first was from the Black Eyed Peas, in their new song "Just Can't Get Enough":

Honey got a sexy all steamin

She give hotness a new meanin

Perfection mama you gleamin

Inception you got a brother dreamin dreamin

The second is Jennifer Lopez' newest, "On the Floor", featuring Pitbull (the lyrics here are done by the latter):

I'm loose

And everybody knows I get off the train

Baby it's the truth

I'm like Inception I play with your brain

This got me to thinking – what other references to movies are out there in the music world, either currently, or in the past? They could be titles, characters, plots; the possibilities are endless. Let's hear it in the comments – share some of your favorites. If I happen to catch any more, I'll post them in the comments as well.

Monday, March 7, 2011

Stephen King takes on JFK


Now this isn't totally movie related but I just couldn't resist. After months of speculation regarding what Stephen King's next novel would be about (everything ranging from a new Dark Tower book to a sequel to The Shining) the public finally has an answer: JFK.
The novel entitled 11/22/63 will be released this year on November 8th and is upwards of a 1000 pages long. Rather than being a horror novel, King is instead delving into the world of science fiction. The plot revolves around a high school English teacher who travels back in time to try to prevent the JFK assassination and the consequences that may result.
JFK has been fodder for science fiction enthusiasts before. One of my personal favorites was the season premiere of the last season of Quantum Leap where Sam leaps into the body of Lee Harvey Oswald. It should be interesting to see King's take on the subject and how much of the novel will be based on historical facts.
I also am putting this post up because is there any doubt with the 50th anniversary of the assassination of JFK coming up in just over two years, that this novel won't get made into a movie? Unless Pennywise the Clown from It tears Hollywood to shreds, I'm betting this movie hits the theaters in November of 2013.

KNEEL BEFORE VIGGO!!!!!!



Wow talk about your perfect match between character and actor. Movieweb.com is reporting that Zack Synder is pursuing Oscar nominee Viggo Mortensen (Eastern Promises) for the role of General Zod in the upcoming Superman reboot.
Now to be clear Mortensen right now is just a "person of interest." Apparently he is trying to negotiate the part of the Huntsman in a new live action version of Snow White. If that falls through (or even if it doesn't) then serious talk will begin about casting Aragorn---er---Viggo in the role of the Kryptonian badass.
Acclaimed actor Terrance Stamp portrayed General Zod in the first two films and it's hard to believe that anyone could equal, let along top that performance. However, if anyone could do it my money is on Viggo. I mean how much does this guy look like General Zod? Seriously? And if you have any doubts about him playing a villain go watch The Prophecy with Christopher Walken. He plays the coolest, slickest Satan this side of the astral plain.
I tell you the more people I hear associated with this film the more excited I get.

Saturday, March 5, 2011

Josh Brolin's HOT wife to play Martha Kent in Man of Steel




Interesting news on the Superman: Man of Steel front. Academy Award nominee Diane Lane (Unfaithful) has signed on to play Martha Kent, Clark Kent's Earth mother, in director Zack Snyder's reboot. In my opinion Diane Lane is without question the hottest woman over 40 in Hollywood. If you haven't had the chance to see the movie Unfaithful you need to. (No seriously stop reading my post right now and go rent the movie.)
The fact that Diane Lane is so beautiful runs counter to what the real Martha Kent looks like as seen from the above picture. For those of you who don't know, Superman's Earth parents were in their mid to late 40s when the son of Jor-El crashed on Earth. Phillis Thaxter played the original Martha Kent in the 1978 feature film and she looked more like that woman from the painting with the guy holding the pitchfork.
In a previous post I mentioned that Kevin Costner is being pursued (supposedly) for the role of Jonathan Kent. Costner and Diane Lane would make a great on screen couple as Clark's parents but are they too young? I guess there is always the possibility that both could be given prosthetic makeup to make them look older. Either way I think Snyder is doing the right thing by surrounding himself with Oscar caliber actors.
Whether or not it will make the film Kryptonite proof remains to be seen.

Thursday, March 3, 2011

Welcome Michael Pagano!

Hello all--

Although Mike has already posted I thought I would just make the announcement offical. My friend and movie fan Mike Pagano has joined The Cookie Jar and will be putting up posts from time to time. I'm sure you'll enjoy his posts as much as I will.

Corrye

Oscar Recap


Well now that I've had a few days to gain some perspective on the latest Academy Awards show, I thought I would give my own awards highlighting the various moments of Oscar Sunday. Like always they ranged from the funny, to the somber, to the surreal. So without further ado:
Funniest Moment of the Night Award: Hands down Melissa Leo dropping the F-bomb during her acceptance speech. Mike has already written about the look of pure genuine shock on her face when she won, and how the utterance while shocking, was genuine. I share his sentiments completely. It's nice to know that there are still some "real" people in Hollywood. My runner up goes to the intro, especially where Morgan Freeman was narrating Alec Baldwin's dreams. Hilarious.
Strangest/Most Awkward Moment of the Night Award: I have to give this to Kirk Douglas's presentation of the award for Best Supporting Actress. Look even at 94 the guy is obviously still very keen. However, the strokes he's suffered have made public appearances at best difficult and at worst embarrassing. His presentation was embarrassing. I'd prefer to remember Kirk Douglas as Spartacus, not some doddering old man with a cane. My friend Luke nailed it when he posted on Facebook, "Kirk Douglas: Best award presentation by a dead man ever." The Academy should be ashamed of themselves.
Best Speech Award: This one is a tie. I thought Christian Bale's speech was extremely moving especially the part where he thanked his wife and child. He even poked fun at himself, claiming that he wouldn't use the F-bomb like his co-star Leo because he's gotten in trouble before. (FYI--For those of you not in the know, this was a veiled reference to the audio tapes that were leaked a little over a year ago where Bale verbally chastises a worker on the set of Terminator Salvation. Too bad it wasn't the director McG for making the film in the first place.) The only thing about the speech I didn't like was where he plugged Dicky Ecklund's website.
The other best speech was Natalie Portman's when she accepted the Best Actress award for Black Swan. I was so ecstatic to see her win over Annette Benning. In any case her speech was simple, heartfelt, and direct, as she thanked her mother, father, and fiance.
Worst Speech of the Night Award: Colin Firth. Yawn. Could the guy get anymore British? He was so somber it was ridiculous. Colin you didn't have to hold your joy in. It would have been fine if you danced uncontrollably. You didn't have to wait until you got backstage.
Best Presenter Award: Jeff Bridges. The man is quite simply "The Dude." He was so slick and confident when he introduced the nominees for Best Actress it was like he wasn't even reading off the teleprompter. His charm and wit was as dead on as Rooster Cogburn's handgun.
Worst Presenter Award: Sandra Bullock. I seriously was looking for the trail of frost as she walked out onto the stage. Could she have looked or acted any more like a cold hearted bitch than when she was presenting the award for Best Actor? What compounded this debacle was Bullock's sad attempt to copy Bridges's stunning presentation. It fell flatter than Hillary Swank's chest. (Oooh even I thought that was harsh.)
Biggest Rip Off of the Night Award: Forget about The King's Speech winning over The Social Network. That's a given. Again it is a tie here, what I might consider 1a and 1b.
1a was Tom Hooper winning Best Director over David Fincher. Not only was it the upset of the night it was completely undeserved. Fincher is by far the better director and easily outdid Hooper with his work on The Social Network. While Fincher already has great films to his credit (Seven, Fight Club, Zodiac to name a few) The Social Network was his masterpiece. Yet somehow it wasn't good enough for the Academy. They decided to give it to a relatively unknown British director for his second feature film. Bold prediction: next year Fincher wins Best Director for The Girl With The Dragon Tattoo.
1b The dictionary defines the word "original" as "new; fresh; inventive; or novel." None of these things seemed to apply when the Academy awarded best original screenplay to David Seidler for The King's Speech. Seriously? A historical drama about a monarch overcoming odds to lead his people during a dark hour? Look at some of the key words in that last sentence and tell me what exactly makes The King's Speech screenplay in any way original. Inception was without question the most unique and original movie of 2010 and the award should have gone to Christopher Nolan.
Most Infuriating and Disrespectful Moment of the Night Award: I always like watching the "In Memoriam" section of the Oscars that pays tribute to members of the movie industry who have died. Usually it is very moving and one of the few somber moments of the Oscars. You can imagine my irritation when Corey Haim was not there. Now listen I know Corey Haim was no Adrian Brody but he starred in some classic 80s movies like Lucas, Silver Bullet, and my favorite Haim film The Lost Boys. He deserved to be included in that presentation. Yet somehow the Academy managed to leave him off and still have an agent listed. Can someone explain the logic of that to me?
Best Moment of the Night Award: Billy Crystal. That guy is the quintessential Oscar host and if the standing ovation he received was any further indication that he needs to be the Oscar host every year I don't know what is. Although he hasn't hosted the Oscars since 2004 hopefully the Academy will wise up and bring him back next year.
Worst Moment of the Night Award: The hosts. What makes this award the most egregious is that the moment lasted all night long. It was painful to watch James Franco and Anne Hathaway host the Oscars. Hathaway seemed out of her element and unsure of herself. On the other hand at least she displayed some personality. James Franco however was stiffer than Richard Simmons at a male beach volleyball tournament in Malibu. He looked like he could care less whether he was there or not. The Academy's experiment was an epic failure.

Tuesday, March 1, 2011

The Oscars: Not as Worthless As They Appear

Hello folks, Mike Pagano here, writing my first piece for the Cookie Jar. I'm the same guy Corrye talked about a few posts ago, who called the 1998 Academy Awards "The Night the Oscars Died". We'll get to that in just a moment. First though, I want to thank Corrye for the chance to post on his blog. Hopefully this is the first of many.

For my first post, I want to talk about the 2011 Academy Awards ceremony. I won't trash it too hard; that road has already been traveled a number of times. Suffice to say, overall, it stunk out loud. If anyone had any doubts that night, they needed only to witness the extended standing ovation given to Billy Crystal. That wasn't applause you heard – it was a room full of people begging a man they loved not to leave the stage until the night was over.

Yes, it was rough. James Franco looked like someone sprayed him with starch, and Anne Hathaway seemed uncomfortably out of her element. But there were plenty of great moments, including memorable acceptance speeches by Melissa Leo, Christian Bale, and Randy Newman, and of course Colin Firth.

Which leads me to my point: the Oscars may have died in 1998, but that point requires some clarification. To me, the "death" was the death of my ever taking the awards seriously again. At this point, at least to me, it doesn't matter who wins. Getting nominated is what matters. I'll draw a parallel to the sports world: on any given year in any given sport, there is a debate over who "deserves" to be league MVP. Thanks to the advanced statistics now available, one can crunch the available numbers to make a strong and convincing case for just about anyone. That being said, to me, being in that conversation means more than actually winning. If you are deemed worthy of inclusion, then everyone agrees you had a pretty great year.

You can probably see where I'm going with this. With all the politics that surround the Oscar voting (as Corrye has already documented), actually winning the Oscar seems trivial. Combine this with the fact that voting for the "best" anything is subjective by nature, and it's clear that simply being nominated is perhaps the greatest honor. If your film was nominated for Best Picture, you've achieved a pretty good consensus that it was one of the best films of the year.

So, if winning doesn't matter, why does the ceremony still matter?

It still matters because for all of the awkward moments, all of the perceived injustices, all of the times when the audience almost fell asleep, it can still inspire. Witness Melissa Leo's reaction when her name was announced – sheer disbelief. You could almost read her thoughts: Did they say MY name? I admit I laughed like crazy when she dropped the f-bomb in her acceptance speech. Not because swearing itself is funny, but because of the moment – she was so overcome with disbelief, she resorted to her true self with no regard for the surroundings. It was instinctual, and I loved her for it. We have a tendency to think of actors and actresses as larger than life and in many ways "better" than us; this made her real.

As I write this two days later, I am still experiencing a bit of a high. Sunday night reminded me what is magical about the movies – the power of a well-written script and well-acted performance, the way a number of people can come together to create something influential, something authoritative – something great.

Oscar Night celebrates all that is right with Hollywood, and by extension, the world. Sure, there's a lot of back-slapping and ass-kissing; being that it's Hollywood, there's no getting away from that completely.

Let's face it – if you are blessed enough to get paid for doing something you love, and/or to be part of a team that's working toward some majestic goal, you are in the happy minority. The rest of us, those of us who maybe are trying to be in that group but more likely are just dreaming of it, look to nights like Sunday to arouse the dormant passion that we know is lying in wait, somewhere inside. Somewhere out there, on Sunday night, something clicked for someone. The next great script could be coming together at this very moment, and that it what is so exciting.